Select a clip, card, text, graphic, the captions or the cutout and click a filter in the Filters panel, or drag the filter onto it in the picture. With nothing selected, a click puts the filter on a Filters track at the playhead for 3 seconds. Intensity sets how much shows.
Choose Filters on the left rail. Each tile shows your own picture with the filter on.
To put it on one clip, card, text, graphic, the captions or the cutout, select that first, then click the tile, or drag the tile onto it in the picture. An fx chip on the clip or card shows it is there. With nothing selected, a click adds the filter at the playhead for 3 seconds, as a bar on a Filters track.
Or drag the tile onto the timeline: onto a clip or card to put it on that, or anywhere else for a bar on the track under the pointer.
On its page, drag Intensity (0 to 100%). Turn on Whole video to make the bar run the whole reel.
Clip coming soon
Adding a filter.
The 24 filters
Life
Natural
True color, a little more depth
Bright
Lighter and airier
Warm
Warmer light, kind to skin
Cool
Cooler light, crisp and calm
Portrait
Soft
Gentle contrast, soft on skin
Rosy
A fresh pink glow
Golden
The glow of golden hour
Clean
Crisp and neutral, clean whites
Movies
Cinematic
Cool shadows, warm skin, deep tones
Teal and orange
Orange skin against teal
Film look
A film print: soft tones, grain
Moody
Dark, muted and cool
Retro
Vintage
An old print, faded and yellowed
Sepia
Brown tones, as an old photo
Faded
Lifted blacks, quiet color
70s
Warm, rich and grainy
Mono
Black and white
No color at all
Noir
Hard black and white, deep shadows
Silver
Soft, silvery black and white
High contrast
Bold black and white
Night
Moonlight
Dim, cool moonlit blue
Neon
Pink and blue club light
Blue hour
The blue just after sunset
Low light
A dim, grainy room at night
Each look will play here as a short loop. Clips coming soon.
On the page you can also set how the filter comes In and goes Out: Cut, Fade or Wipe.
A filter on a clip, card, text, graphic, the captions or the cutout changes only that one. A filter bar changes everything on the tracks under its own. A new one goes under your cards, text and captions, so it changes your video and you. Drag its track higher to grade more: see Choose what a filter or effect changes.
Or ask your agent
You
Put a warm filter on the whole video at 60%.
Adjust brightness, contrast and color
Open Adjust, click Adjustment, and use the Basic tab: brightness, contrast, saturation, exposure, temperature and more. Every setting starts at 0.
Choose Adjust on the left rail and click Adjustment. Select a clip, card, text, graphic, the captions or the cutout first to put it on that, or drag the tile onto it in the picture; with nothing selected, it goes on an Adjust track at the playhead, changing everything on the tracks under it.
On the Basic tab, drag the sliders. Each tab has its own Reset.
To keep your settings for next time, choose Save as preset, name it and choose Save. Presets appear under My presets in every project.
This clip is too dark and a bit cool. Brighten it and warm it up.
Fine-tune color with HSL, Curves and Color wheels
On an adjustment’s page, the HSL, Curves and Color wheels tabs shift single colors, bend the tones and tint the shadows, midtones and highlights.
HSL
Pick one of eight colors (Red, Orange, Yellow, Green, Aqua, Blue, Purple, Magenta) and change its Hue, Saturation and Luminance, each from −100 to 100. Try lowering Orange saturation to calm skin.
Curves
Choose Brightness, Red, Green or Blue. Click the curve to add a point and drag it. Double-click a point to remove it.
Color wheels
Three wheels, Shadows, Midtones and Highlights. Drag the pad toward a color to tint that part of the picture, and use Brightness (−100 to 100) to lighten or darken it. Each wheel has its own Reset.
Screenshot coming soon
Color wheels.
Or ask your agent
You
Tint the shadows teal and pull the orange saturation down a little.
Use a LUT for flat footage
On Adjust, pick a LUT from the list, or choose Import LUT for your own .cube or .3dl file. Two are built in, for Sony S-Log3 and Canon Log3 footage.
Choose Adjust. Under LUTs, click Sony S-Log3 to Rec.709 or Canon Log3 to Rec.709 to put it on the selected clip.
Or open an adjustment’s LUT tab and choose from the LUT menu. A LUT intensity slider (0 to 100) appears.
To bring your own, choose Import LUT and pick a .cube or .3dl file.
Imported LUTs and presets are yours: they are available in every project, and a LUT a project uses is copied into it. Use More, then Remove from library, to delete one.
Add an effect
Open Effects and click one. There are 20 in nine groups, from Blur and Fisheye to VHS, Glitch, Glow, Camera shake and Cinematic bars.
Choose Effects on the left rail. Search, or hover a moving tile to see it play.
Select a clip, card, text, graphic, the captions or the cutout first to put the effect on that, or drag the tile onto it in the picture. With nothing selected, a click adds it at the playhead for 3 seconds, as a bar on an Effects track. You can also drag it onto the timeline.
Change its settings on its page. Most numbers have a keyframe diamond.
Clip coming soon
Adding VHS.
Blur
Blur
Blurs the whole picture
Tilt-shift
A sharp band, blurred above and below
Lens
Fisheye
A wide-lens bulge
Magnifier
A round lens enlarges one spot
Retro
VHS
Tape wobble, color bleed, noise
CRT
Scanlines and a curved screen
Old film
Sprocket rails, flicker and dust
Film damage
Dust, scratches and flicker
Glitch
Glitch
Blocky jumps and color tears
RGB split
The colors pulled apart
Light
Glow
Bright parts glow
Light leak
Warm light drifting across
Flash
A white flash at the start
Rainbow
Soft colors that drift and melt
Motion
Camera shake
Handheld jitter
Frame
Cinematic bars
Bars slide in top and bottom
Hide
Blur area
Blurs a box or oval you place
Mosaic
Pixelates a box or oval you place
You
Spotlight
The room goes dark, a pool of light on you
Color pop
You stay in color while the room goes gray
Each look will play here as a short loop. Clips coming soon.
Spotlight and Color pop use the cutout of you. It is made the first time you use one, and they go on a clip or an Effects track, never on a card, text, graphic, the captions or the cutout.
An effect bar changes everything on the tracks under its own. A new one goes under your cards, so it changes your video and you, but a new Blur area or Mosaic goes over your cards, so it covers them. See Choose what a filter or effect changes.
Want an effect that is not in the list?
Or ask your agent
You
Write an effect that makes the picture look like a newspaper print.
Your agent can write a new effect. It appears under This reel in the Effects panel as "Made by your agent". Star it to keep it for every project.
Choose what a filter or effect changes
A filter, effect or adjustment on its own track changes everything on the tracks under it, and nothing above. Drag its track up or down to choose what it reaches.
A filter, effect or adjustment added with nothing selected is a bar on a Filters, Effects or Adjust track. It changes the picture made by everything on the tracks under it: your video, the cutout of you, cards, text, graphics and captions. Nothing on a track over it changes.
Where a new one goes
A new filter, adjustment or effect goes just over your video and the cutout of you, under your cards, text and captions. So it changes you and the room, and nothing else.
A new Blur area or Mosaic goes over your cards, so it covers them.
Choose what it reaches
Drag the track by its name. Above the Overlays track, it grades your cards too. At the top, just under the Captions track, it grades everything but the captions.
Click the track’s name to check. Its page says what it changes, such as Changes everything on the tracks under it: overlays, the cutout of you and your video.
Clip coming soon
Moving a filter’s track above the cards.
Under the cutout of you
A filter or effect on a track under the Cutout of you track changes the room but not you. A Black and white filter there leaves you in color. See Remove background.
When two overlap
The one on the lower track is drawn first. A filter, effect or adjustment put on a clip, card, text, graphic, the captions or the cutout changes only that one, before the tracks over it.
Or ask your agent
You
Put a warm filter over everything, the cards and text too, but not the captions.
Or ask for the room in black and white with you in color. Your agent puts the filter on the track that reaches what you named.
Cover a face or a name with Blur area or Mosaic
Put a Blur area or Mosaic over what should not show, drag it into place on the preview, and for something that moves, add keyframes to follow it.
Open Effects and click Blur area or Mosaic (search "censor" finds both).
Pause on a frame. Handles appear on the preview. Drag to move the area, drag the handles to size and feather it.
For something that moves, click the diamond beside Point, step forward about half a second and drag again. Repeat. Size can be keyed too, as a face comes nearer.
Play the whole stretch and look at the frames between your keyframes.
Clip coming soon
Mosaic that follows.
Yapp Studio does not find faces by itself. You cover a face by hand with Blur area or Mosaic, or with an Emoji pop whose place and size you key.
A Blur area or Mosaic covers everything on the tracks under its own. A new one goes over your cards, so it covers B-roll and photos too. To cover a title or graphic as well, drag its track above theirs (see Choose what a filter or effect changes).
Or ask your agent
You
Blur the name on this screenshot. And cover my kid’s face in the second half, keeping up as he moves.